Manuel Valls Vergés
At Marset, we’re convinced that we do more than lamps. We take care of light and its various nuances and effects to improve people’s quality of life.
Design is what sets us apart at Marset, and that’s where our vocation for good design was born: to make a product with the utmost rigor and innovation that generates a beautiful light and that can surprise, thrill and endure, so that we can contribute our bit to a more sustainable world.
Through good design, Marset aims to conveys its most essential values: quality, technological rigor, innovation, sustainability, durability, and authenticity.
-Architect at work Madrid
-Architect at work Berlin
-Architect at work Viena
-Hotel and restaurants meeting Cannes (Octubre 2020)
-Architect at work Nantes (novembre 2020)
-Architect at Work Brussels
-Architect at work París
-Architect at work Bilbao
-Cruise Interior Expo
-San Francisco Fair
-Light & Building
-Architect at work Wiesbaden
-Architect at work Rotterdam
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An understated, rational and eminently geometric lamp.
The MVV story begins in the 1970s. This new suspension lamp is a first, and was designed by Manuel Valls Vergés, one of Spain’s most notable architects at the time and partner of Jose Antonio Coderch for 15 years, alongside whom he undertook such prominent projects as the Ugalde house, near Barcelona. The MVV name reflects Vergés’ initials, as a way of displaying his authorship of this unique lamp. That was the desire of his grandson, also an architect, and of his partners in the Two-bo studio. Pablo, María and Alberto rescued this lamp 45 years later.
Marset, acting as a bridge in time, took the original design —an octagon with overlapping sheets— and updated it by giving it a dual skin: cherry wood on the outside of the sheets and a white colour inside to enhance the light quality. The measurements are the same as the original’s —45 cm— and the interior structure, which was originally made of iron, is now polycarbonate, which makes it lighter. Through the use of wood, the MVV yields an exceptionally warm light.
An understated, rational and eminently geometric lamp —the MVV is like a construction site, in which the direct, down-facing light is complemented by indirect light that filters through the sheets. A design that, though timeless, reflects the constructive logic of that period and evokes a great many memories.